01/06LINE 01 — CINEMA

INDEPENDENT
CINEMA

We've spent more than fifteen years working on fiction features and documentaries alongside independent production companies — Olpama Diversion Films, Amblost Media, Cadena Pirenaica and other collaborators — contributing cinematography, editing, visual effects and post-production to every project. We're not the owners: we're there as a technical and creative partner, from script to final copy.

1 /6 productions — features and documentaries
2 /2010 – 2026
3 /3 collaborating producers
4 /Shot in Andorra, Spain, France and Switzerland
//FEATURED PRODUCTIONS

Feature films and documentaries we've collaborated on

Every project belongs to its producer. dèunidó takes part as a technical and creative collaborator — never as the sole owner of the work.

Lo Más Importante de la Vida es No Haber Muerto — official poster
FEATURE · FICTION · 2010

Lo Más Importante de la Vida es No Haber Muerto

Jacobo, a well-regarded piano tuner, lives a quiet life until insomnia drags him into paranoia and unexplainable visions. A bittersweet comedy about betrayal and forgiveness, set during the Franco years.

Olpama Diversion Films · dir. Olivier Pictet, Pablo Martín Torrado and Marc Recuenco · cast: Emilio Gutiérrez Caba, Mercè Montalà, Carles Arquimbau, Marián Aguilera · dèunidó: editing and visual effects

IMDb →
Voyeur — still
FEATURE · FICTION · 2016

Voyeur

Nadia secretly watches friends and family, unable to relate to them any other way — until the very family that initiated her into the art of observation fifteen years earlier reappears.

Co-production Spain (70%) – Switzerland (20%) – Andorra (10%) · Olpama Diversion Films · dir. Marc Recuenco

En Attendant Mai — still
FEATURE · FICTION · 2020

En Attendant Mai (Waiting for May)

Manel, a frustrated poet, and Hélène, a linguist who works in a bar, decide to become parents despite their precarious situation — while their circle of friends marks the 50th anniversary of May '68.

Co-production Spain – France – Andorra · dir. Marc Recuenco · cast: Francesc Garrido, Esther Garrel

IMDb →
I les fonts van parlar — official poster
DOCUMENTARY · 2022

I les fonts van parlar — Aiguats de 1982

Six eyewitnesses tell, in their own words, the 48 most dramatic hours of the November 1982 floods across Alt Urgell, Cerdanya and Andorra: a year of research into oral and documentary sources.

Produced by Cadena Pirenaica · technical collaboration by dèunidó

Official site →
N.I.M.: Inteligencia Artificial — official poster
FEATURE · SCI-FI · 2026

N.I.M.: Inteligencia Artificial

In the near future, a father and daughter live isolated in a weather station with the support of an artificial intelligence — until an unexpected event turns their stay into a race for survival.

RJ Digital Hub, Lira Produccions and Amblost Media · dir. Rubén Arnaiz · dèunidó: cinematography

IMDb →
In development
FEATURE · IN DEVELOPMENT

La Coquille de l'Escargot

Currently in pre-production — not yet a finished film. First part of a diptych set in the 12th century: two monks leave their monastery to help others find joy, on an initiatory journey full of adventures.

With the Olpama Diversion Films creative team · image is a provisional reference frame

//SELECTED FILMOGRAPHY

Selected filmography

2010
Lo Más Importante de la Vida es No Haber MuertoFeature · Comedy / Drama · Olpama Diversion Films · dir. Pictet, Martín Torrado, Recuenco
Released
2016
VoyeurFeature · Drama · Olpama Diversion Films · dir. Marc Recuenco
Released
2020
En Attendant Mai (Waiting for May)Feature · Comedy · co-production ES–FR–AD · dir. Marc Recuenco
Released
2022
I les fonts van parlar — Aiguats de 1982Documentary · Cadena Pirenaica
Released
2026
N.I.M.: Inteligencia ArtificialFeature · Sci-Fi / Thriller · RJ Digital Hub, Lira Produccions, Amblost Media · dir. Rubén Arnaiz
Released
—
La Coquille de l'EscargotFeature · Part 1 of a diptych · Olpama Diversion Films
In development
//SERVICES FOR FILM PRODUCTION

From set to distribution copy

The same technical services behind our co-productions are available to any producer — from on-set DIT to the final DCP.

All services →
01

DIT & on-set

Data management and technical image control on set, integrated with the camera department.

See service →
02

Colour grading

Creative grading and technical colour management for theatrical, television and streaming platforms.

See service →
03

Subtitling & dubbing

Multilingual subtitles and professional dubbing for international releases and festivals.

See service →
04

Digital Cinema Package (DCP)

Mastering and DCP packaging to theatrical exhibition standards.

See service →
05

Deliverables & formats

Transcoding and conversion to any delivery format a distributor requires.

See service →
06

Post-production

Editing, visual effects and sound mix through to the final copy, festival-ready.

See service →
06THE 6 LINES

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